PAINTINGS
The artist’s first documented paintings emerged in the early 1970s. However, Urs Burki did not use canvas as his preferred painting support until 1980. He sometimes used the unprimed side of the painting support and occasionally would paint both sides of the canvas. Painting allowed Urs Burki to enjoy the greatest possible degree of spontaneity and freedom of expression. The artist often painted as if in a trance and would use his whole body. Urs Burki primarily used the following painting materials: oil, acrylic, ink, charcoal, plant extracts, mixed media. In total, the artist left behind over 500 paintings (canvas and paper), including a number of collages.
Urs Burki, Re-Appearacne, 1984
Essential and primary impulse.
So many unrealised ideas!
Just a few brushstrokes. Manifesting the hidden.
Urs Burki, Untitled, 1988
Urs Burki, Lumineszenz, 1991
Urs Burki, Untitled, 1994
Urs Burki, Untitled, 1997
Urs Burki, Romy, 2013
Urs Burki, Marina, 2003
Urs Burki, Eros, 2014
Facial expressions of nature.
Fruit from nymphs’ groves.
Trees that write poems in the sky. Howling wind, lightning and thunder.
Dancing, foaming sea; the dancing choir of the stars.
In the company of naiads.
Free spirit.
Like a rapture.
— Urs Burki
Urs Burki, Untitled, 2014
Tabula rasa.
Intuition and imagination. Inspiration and improvisation.
Main lines–bylines. The right moment. Rhythm, tension and force.
Favourable coincidences. Abstract–concrete. My own symbol language.
Anachronistic statements. Ambiguities. Picture metaphors–picture aphorisms.
How the true world becomes a fable.
Urs Burki, Cello Suite No 2, Bach, 1997
Urs Burki, Way back, 2013
Urs Burki, Walderlebnis, 2013-2014
Urs Burki, Untitled, 2014